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Celebrating Chinese Lunar New Year
Asian Art Museum Docent, Linda Lei, gives a talk to teachers on the symbols associated with Chinese Lunar New Year at the Asian Art Museum on May 15, 2014.
Video
Asian Art Museum Docent, Linda Lei, gives a talk to teachers on the symbols associated with Chinese Lunar New Year at the Asian Art Museum on May 15, 2014.
Artwork
A demon (buta), 1993, by Duyeh. Indonesia; Cibiru, West Java. Wood, cloth, and mixed media. From the Mimi and John Herbert Collection, F2000.86.121.
Background Information
The religious fervor and opulence of the Goryeo dynasty (918-1392) can be seen in the intricately hand-copied sutras (the teachings of the Buddha) that date to this period. Korean monk-scribes were commissioned by royals, aristocrats, and individual high-ranking monks to write the sacred words of the Buddha by applying pigments of ground gold and silver to deep indigo–dyed mulberry paper. They began by pictorially narrating the sermons of the Buddha with key episodes within the sutra chapter on the frontispiece (first four sutra panels). The rest of the sutra comprised flowing calligraphy translating the Buddha’s teachings.
Background Information
The central cave at Longmen, built in the late 600s, vividly asserts the union of the concept of Buddha as universal sovereign with the concept of the emperor (or empress) as the living representation on earth of that principal.
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Jeffrey Durham, Associate Curator of Himalayan Art, discusses a painting of the Buddha Vairochana in the exhibition, Enter the Mandala.
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Learn more about the oldest known dated Buddha produced in China and how it may have looked when it was created.
Artwork
Bottle Gourds, 1930–1957, by Qi Baishi (1863-1957). Hanging scroll; ink and colors on paper. The Avery Brundage Collection, B69D15.
Video
In all lacquer objects, regardless of when they were produced, a resinous sap coating preserves the core material and allows for decoration. The material for lacquering is extracted from lacquer trees (Toxicodendron vernicifluum; formerly Rhus verniciflua), which is the same genus as poison oak. Learn more in this award winning documentary on Japanese lacquer.
Artwork
The Bodhisattva Avalokiteshvara, approx. 900–1000. India; perhaps Nalanda, Bihar state. Stone. The Avery Brundage Collection, B63S44+.
Artwork
The Bodhisattva Avalokiteshvara (Chinese: Guanyin). China; Tang dynasty (618–906). Gilt bronze. The Avery Brundage Collection, B60B795.