Resources

Join world renowned contemporary Chinese artist Zhang Huan in conversation with Asian Art Museum director Jay Xu. The San Francisco Arts Commission will present the world premiere of Zhang’s colossal work,Three Heads Six Arms (2008), which will be the focal point of San Francisco’s Civic Center Plaza, nestled between City Hall and the Asian Art Museum. Standing over 26 feet tall and weighing almost 15 tons, the copper sculpture is the artist’s largest work to date. Zhang, who is based in Shanghai, is widely regarded as one of the most influential and provocative contemporary artists working today. Don’t miss this opportunity to learn more about this artists work against the backdrop of the Shanghai exhibition at the Asian Art Museum and the city-wide celebration of the 30th anniversary of the San Francisco Shanghai Sister City relationship. The program will be introduced by Luis R. Cancel, Director of Cultural Affairs for the San Francisco Arts Commission. Please note Mr. Zhang will speak in Chinese. English translation will be provided by Wang Xiaoyu.

Asian Art Museum Art Speak teaching Artist, Imen Yeh, discusses her woodblock printmaking workshop with Art Speak interns and its connection with the Shanghai: Art of the City exhibition.

In China, painting and writing developed hand in hand, sharing the same tools and techniques.

Watch Shiho Sasaki, Paintings Conservator at the Asian Art Museum, handle a Japanese hanging scroll for display and storage.

In this video, Buddhist monk artists, Seol-min (formerly known as Jae-u) and Myung Chun discuss Korean Buddhist art and paint the Guardian King of the West, which is now in the Asian Art Museum’s collection. This video also includes footage from a symbolic “eye-opening” ceremony, which took place at the museum on December 20, 2003.

Asian Art Museum Storyteller, Leta Busyhead, tells a story about Cyrus the Great and the Cyrus Cylinder in the Cyrus Cylinder and Ancient Persia exhibition at the Asian Art Museum (August 9–September 22, 2013).

GRAINS is an original audio-visual performance deals with expanding the sonic energy that resides in a single grain of sound. The performance explores the visual and sonic amplification of domestic food grains and their transformation into a collection of solid grains that flow like liquid as they multiply. Layering her vocals on top of the flowing grains, Surabhi Saraf weaves a rich tapestry of sounds, multiplied and fragmented, creating dynamic textures and immersive architectural soundscapes.

Farnoosh Fathi reads a poem she wrote in response to the artwork, “Untitled 1 (Peacock with Missiles),” 2010 by Adeela Suleman. This work is in the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). For more information: This presentation was part of MATCHA.

In Noh theatre (classical Japanese music drama), Japanese ghosts are usually upset females. Portrayed without feet because they have lost their connection to the earth, they are so filled with love, jealousy or rage that they won’t go peacefully into the night. Japanese believe ghosts are people who have died with an unpaid on — “debt” or “obligation.” If not repaid, the debt is passed down for generations, growing with each one like a snowball into an avalanche.

A conversation with artist Manuel Ocampo, moderated by assistant curator of contemporary art Dr. Karin Oen. This conversation was in conjunction with the exhibition First Look: Collecting Contemporary at the Asian at the Asian Art Museum in San Francisco from Sept. 4 through Oct. 11, 2015.